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What's on at the cinema in Manchester
WHAT'S ON IN MANCHESTER CINEMAS
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The best movies currently showing in Manchester cinemas & streaming online

Updated 30 Sep 2021

 
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THE BEST MOVIES SCREENING IN MANCHESTER CINEMAS
 
 
1) THE MALTESE FALCON  5 Star Review
 
One of the two best films Humphrey Bogart made (the other is The Big Sleep), this landmark crime flick is 80 years old and re-released with not a single frame superfluous or poorly aged. ~ The Times 5 Star Review
As well as having the greatest MacGuffin of all time, a dark, steely performance from Bogart is at the cynical heart of John Huston’s adaptation of the classic detective novel. ~ The Guardian 5 Star Review
Often considered the first film noir, Huston's mostly straightforward visual approach renders it an instance of early noir more in its hardboiled attitude than in the chiaroscuro style common to other film noirs, with its collection of colourfully played venal characters.  ~ AllMovie 5 Star Review
This third version of Dashiell Hammett's hard-boiled crime drama is superb cinematic entertainment. It completely obliterated memories of the two perfectly fine earlier versions and created a brand-new movie icon in Bogart's cynical private detective, Sam Spade, a role that brought him a richly deserved stardom after years of toil in supporting parts. ~ Radio Times 5 Star Review
To describe the plot in a linear and logical fashion is almost impossible. That doesn't matter. The movie is essentially a series of conversations punctuated by brief, violent interludes. It's all style. It isn't violence or chases, but the way the actors look, move, speak and embody their characters. ~ Roger Ebert 5 Star Review
Suspenseful, labyrinthine, and brilliantly cast, it is one of the most influential noirs - as well as a showcase for Bogart at his finest. ~ Rotten Tomatoes 5 Star Review
The perfect movie experience. ~ Empire 5 Star Review
 
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2) BALLOON 4.5 Star Review
 
A Tibetan family struggles against the conflicting dictates of spirituality, politics and free will under China's two-child policy. ~ Rotten Tomatoes 5 Star Review
Writer-director Pema Tseden finds beauty and melancholy in Tibet’s sheep-herding life as he tells this story of a clash between modernity and tradition as a woman is dismayed to find she is pregnant. ~ The Guardian 4 Star Review
This gentle sex comedy set among a Tibetan rural community explores intimacy, family and the hardships of life. You come away not knowing if what you’ve seen was comedy or tragedy. Or maybe something else entirely. ~ Little White Lies 4 Star Review
 
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3) THE GREEN KNIGHT  4.5 Star Review
 
A rivetingly weird and exceptionally beautiful fantasy film that offers no easy answers but ponders the biggest questions — through myths, mysticism, and men in crisis. This is major stuff from David Lowery. ~ Empire 5 Star Review
Lowery has adapted the 14th century chivalric romance Sir Gawain and the Green Knight into one of the most memorable films of the year, a fascinating swirl of masculinity, temptation, heroism, and religion. ~ Roger Ebert 5 Star Review
A spellbindingly beautiful sprawling, strange and dreamlike interpretation of the Arthurian legend which is ripe for our time. ~ The i 5 Star Review
His complex, visually sumptuous and uncommercial tale of Arthurian legend revels in upending expectations. ~ The Guardian 4 Star Review
The moss-covered delights of watching a myth being made; Dev Patel is terrific as Sir Gawain, the knight who makes a troubling pact with a hulking, uninvited guest at Camelot. ~ The Telegraph 4 Star Review
A tale told mainly via startling visuals requires an actor with a singularly expressive face, and Patel rises to the challenge. It’s close to a cinematic holy grail. ~ Time Out 4 Star Review
He delivers a career-best performance in this sublimely weird liberal adaptation of a 14th-century poem. As intriguing as it is challenging, it excels as a hallucinatory cinematic puzzle that will scramble your brain in the best possible way. ~ Radio Times 5 Star Review
It honours and deconstructs its source material in equal measure, producing an absorbing adventure that casts a fantastical spell. ~ Rotten Tomatoes 4.5 Star Review
 
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4) ROSE PLAYS JULIE  4 Star Review
 
Ann Skelly, Orla Brady, and Aidan Gillen star in this psychological drama.  ~ AllMovie 4.5 Star Review
Joe Lawlor and Christine Molloy’s gripping study of trauma and identity is the pair’s most ambitious and provocative film yet. It would make a fascinating, ethically thorny double feature with Promising Young Woman. ~ Little White Lies 4.5 Star Review
A deceptively slick ghostly horror-tinged psychological drama from the innovative Irish directing team. ~ Observer 4 Star Review
It uses a woman's quest to know her biological parents as the foundation for an unsettling story that compellingly confounds expectations. ~ Rotten Tomatoes 4.5 Star Review
The tale taps into primal urges—for love, revenge, knowledge—and these urges give it a mythic quality, like a story told since antiquity, or a fable designed to express truths about the human condition. It is very controlled in its style: this control reaps huge rewards. ~ Roger Ebert 4.5 Star Review
Brilliantly switching into and out of melodrama, this thickly plotted but economically written film is hugely understated in a way that recalls Scandi-noir, but with an eclectic and innovative style that's all its own. Quiet, intense, chilling and thrilling, this is a masterpiece of dread atmospherics. ~ Radio Times 5 Star Review
 
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5) NO TIME TO DIE  4 Star Review
 
Daniel Craig bows out as 007 with a feast of heart and spectacle – and comfortably the best Bond movie since Casino Royale. ~ Time Out 5 Star Review
His James Bond send-off is extravagant, satisfying and moving. ~ The Telegraph 5 Star Review
The long-awaited 25th outing for Ian Fleming’s superspy is a weird and self-aware epic with audacious surprises up its sleeve. ~ The Guardian 5 Star Review
It’s better than good. It’s magnificent. After a stunning opening entry (Casino Royale) and three middling instalments of water-treading inanity, a Daniel Craig Bond has finally delivered on its promise. ~ The Times 5 Star Review
A film that rounds off the era with tremendous ambition and aplomb, it is the kind of outsized standalone sci-fi yarn we might associate with the earlier 007s. ~ BBC 5 Star Review
 
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6) GAGARINE  4 Star Review
 
This tough-yet-tender drama set in Paris’s projects will fly you the moon. ~ Time Out 4 Star Review
Close encounters of the banlieue kind; this mesmerising debut about a teenager looking to fix up his Paris estate passes up the usual angry social-realism in favour of something more celestial. ~ The Guardian 4 Star Review
 
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7) THE NEST  4 Star Review
 
The director of "Martha Marcy May Marlene" has delivered an accomplished follow-up focused on a family imploding in a gloomy house in Surrey. ~ The Guardian 4 Star Review
Dotted with micro-clues for the keen-eyed, this is a subtle, creeping study of a family in crisis, and a fitting tribute to the tense relationship dramas of Ingmar Bergman. ~ Radio Times 4 Star Review
A wrenching, beautiful drama about a married couple who relocate from upstate New York to a drafty old estate near London, where their union unravels. ~ Roger Ebert 5 Star Review
An impressive, unnerving, psychological inversion of a home-invasion movie, in which the family within the walls become less familiar than any intruder, this arrestingly chilly five-star film recalls Freud’s writings on the homely and unhomely, and how domesticity can imply the hidden and the unknown. ~ The Irish Times 5 Star Review
An effective pairing of period setting and timeless themes, it wrings additional tension out of its unsettling story with an outstanding pair of lead performances. ~ Rotten Tomatoes 4.5 Star Review
Filled with both passive aggression and aggressive aggression, it has the trappings of a haunted-house movie but delivers something much scarier — the slow death of a marriage, performed to perfection by Jude Law and Carrie Coon. ~ Empire 4 Star Review
Law excels in this brooding parable of financial folly. He is on terrific form as a profligate but flailing financier who mortgages his family’s futures on impossible expectations. ~ The Telegraph 4 Star Review
Law is terrific and his glittering, insincere salesman’s smile has rarely been better used than in Sean Durkin’s prickly and richly atmospheric domestic drama. ~ Observer 4 Star Review
Despite his ninnyish image, Law can be a fine actor. Here, his character flawed and cocksure, he proves exactly that. ~ Financial Times 4 Star Review
He is intimidating and captivating in a wry study of narcissism and entitlement, as we watch a couple come apart at the seams. ~ The i 4 Star Review
The writer-director Sean Durkin brings a brooding tension to his story, elevated by the complexity of his characters. ~ The Times 4 Star Review
 
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8) OASIS KNEBWORTH 1996 4 Star Review
 
Pre-internet, end-of-history nostalgia reaches a psychedelic peak in this enjoyable documentary about Oasis’s pair of 1996 gigs at Knebworth House in Hertfordshire. While the gigs’ history-making reputation is overstated, the unchecked euphoria of fans and Gallagher brothers alike is captured perfectly by this 90s nostalgia fest. ~ The Guardian 4 Star Review
The inside story of one of the great concerts in British rock ’n’ roll history is a welcome dose of ’90s nostalgia. Essential for anyone who was there or wanted to be. Fun for everyone else. ~ Little White Lies 4.5 Star Review
An era-defining gig that will live forever, the Gallaghers' high water mark is remembered in thrilling, pint-throwing fashion. ~ NME 5 Star Review
 
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9) SWEETHEART 4 Star Review
 
Nell Barlow is the long-suffering gay teenager who falls for a lifeguard on holiday in Marley Morrison’s likably wistful debut, a good-natured caravan-park romance. ~ The Guardian 3 Star Review
 
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10) ANNETTE 4 Star Review
 
Is this magnificent, lunatic rock opera real or did you dream it? Sea monsters, MeToo musical numbers, and a wooden baby – Leos Carax’s film is strange and stylish. ~ The Telegraph 5 Star Review
Vive le cinéma, vive la différence! A disorientating, singular vision of peerless creativity, Carax’s surreal, Sparks-scripted musical-of-sorts stars Adam Driver and Marion Cotillard as ill-fated lovers. ~ Little White Lies 4.5 Star Review
Working from a libretto by the cult band, the cult director’s big, bold and wildly original English-language debut is unlikely to please mayonnaise mainstream tastes. But for those seeking surprises, spectacle, and shadows, it is a gorgeous musical marvel like no other and Driver is monstrously good. ~ The Irish Times 5 Star Review
An exhilarating and exuberant experience, it is most obviously, an audacious, unabashed rock opera. The only sustained dialogue comes from a man doing a stand-up act on a stage. ~ Roger Ebert 5 Star Review
The most original film of 2021, it is a ride like no other, a spellbinding waltz in a storm. See it for truly hypnotic filmmaking, a clutch of great songs and Driver at his most magnetic. ~ Empire 5 Star Review
 
Times MANCHESTER CINEMA SHOWTIMES

 
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11) SHANG-CHI AND THE LEGEND OF THE TEN RINGS  4 Star Review
 
It’s telling when the Marvel Cinematic Universe uses its immense power to operate an assembly line. But it’s just as telling when there’s a deeply human spark to one of their projects, allowing franchise values like great spectacle, striking performances, and intricate depictions of family to prevail. This is the latest addition to the latter category. ~ Roger Ebert 4.5 Star Review
Never heard of Shang-Chi? Don't worry – chances are you'll still have an excellent time in this adventure that gets everything right. It's love at first fight with this new Marvel superhero. ~ The Telegraph 4 Star Review
Don’t worry if you’re unfamiliar with Shang-Chi‘s title character, who has nearly 50 years of Marvel Comics history but makes his screen debut here. The first Marvel movie with an Asian lead doesn’t just strike a major blow for representation; it also manages to put a fresh and infectious spin on the hoary old origin story. ~ NME 4 Star Review
Steering the MCU into previously uncharted territory, Marvel’s Phase Four makes up for lost time with an origin story that richly entertains when it’s not pushing boundaries. ~ Total Film 4 Star Review
An anachronistic pastiche of wuxia and sci-fi that is executed unbelievably well, it combines thrilling spectacle with cultural specificity to correct the comics’ racist past. A metatextual antithesis to the racism and whitewashing in Marvel’s own history, and a cinematic celebration of the Chinese diaspora on and off screen. ~ Little White Lies 4.5 Star Review
A refreshingly unconventional take on the origin story; the film’s success has much to do with how director (serving also as co-writer) Destin Daniel Cretton and his team are able to negotiate themselves around the strict, and often suffocating, demands of the Marvel framework. ~ Independent 4 Star Review
Featuring funny and endearing moments amid beautifully choreographed action sequences, it excels as a story about family and how it can be twisted by grief. Simu Liu, Awkwafina, and Tony Leung bring multi-faceted characters to life and, despite pacing issues, it delivers a hugely entertaining step in the right direction for Asian representation. ~ Empire 4 Star Review
It loses energy in the second half but Marvel’s first movie with an Asian-American lead is still a grabby debut for a cool new MCU character. ~ Time Out 4 Star Review
It isn't entirely free of Marvel's familiar formula, but this exciting origin story expands the MCU in more ways than one. ~ Rotten Tomatoes 4.5 Star Review
A superhero movie that justifies the hype, it is an electrifying fusion of convincing characters and breathtaking CGI. ~ Observer 4 Star Review
 
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12) CANDYMAN  4 Star Review
 
The hook-handed monster is back in a scary and scarily topical update of the ’90s slasher movie. ~ Time Out 4 Star Review
"Say his name" is the mantra in this politically charged and atmospheric horror sequel, which draws on the events of the iconic 1992 original, albeit decades down the line, and opts for unsettling yet impressive imagery over jump scares. ~ Radio Times 4 Star Review
For many horror fans, it is the most eagerly anticipated film of the year – even more so considering its three COVID-related delays. But while its billing as a sort-of sequel to the 1992 slasher classic is wise – two subpar sequels from the late ’90s are best forgotten – the soft-reboot approach sometimes rings alarm bells. Luckily, director Nia DaCosta has kept the big, chewy themes of the original while creating a fresh supernatural tale that’ll spook audiences anew. ~ NME 4 Star Review
The first Candyman stepped daintily out of the mirror in 1992, in writer-director Bernard Rose’s US-set version of the Clive Barker novella The Forbidden, a parable of English class shame set in a Liverpool housing estate. Now, DaCosta, working with co-writer and producer Jordan Peele, has created a slick, macabre and very sophisticated quasi sequel-reboot for the horror myth as an expression of rage against racism in the era of Black Lives Matter. ~ The Guardian 4 Star Review
Let us be honest, though. Whoever was directing a horror film produced and co-written by Peele (DaCosta and Win Rosenfeld also have script credits) that shared so many concerns with Get Out and Us, he or she would still be in their Oscar-winning collaborator’s shadow. Even if Peele weren’t involved, his name would feature in any review of Candyman. He is the emperor of this territory. ~ The Irish Times 4 Star Review
Under DaCosta's direction, the screenplay rises above itself, providing an entertaining and compelling horror film that, like the original 1992 film, rises above the typical expectations of the slasher genre.  ~ AllMovie 4 Star Review
This gloriously crafted and politically formidable horror sequel is a standout splatterfest that's simultaneously silly, frightening and simmering with rage at the festering wound of US racial injustice. ~ The Times 4 Star Review
It is being sold as a “spiritual sequel” to the 1992 horror classic starring Virginia Madsen and Vanessa Williams. This iteration ignores the two actual sequels to Rose’s adaptation, instead picking up in present day Chicago. Toss in some profoundly gross body horror plus a satisfying ending that nicely closes out its thesis statement, and we have the makings of a fun, thought-provoking time at the movies. ~ Roger Ebert 4.5 Star Review
It is a nifty 21st-century take on a classic horror and DaCosta is a high-grade visual stylist, gifted with frescoes of faded graffiti and woozy Kubrickian interiors. ~ Financial Times 4 Star Review
She keeps her balance, with a neat, corkscrewing structure and elliptical scenes of slaughter that leave just enough to the imagination. A rather sickly-sweet treat. ~ The Sunday Times 4 Star Review
Distinguishing her as a visionary to be reckoned with, she re-examines the white saviour and Black boogeyman tropes in this bold horror reimagining. No sequel has done more for the Black gaze or for scary stuff in mirrors. ~ Little White Lies 4 Star Review
It takes an incisive, visually thrilling approach to deepening the franchise's mythology - and terrifying audiences along the way. ~ Rotten Tomatoes 4.5 Star Review
 
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13) OUR LADIES  3.5 Star Review
 
A loving tribute to uncensored working-class women, set in ’90s Scotland, Michael Caton-Jones’ winning comedy-drama sees a group of Catholic girls cut loose. It's an acutely written and performed triumph. ~ Little White Lies 4 Star Review
Catholic school girls board the bus to Edinburgh, Scotland, to compete in a choir competition, but they're more interested in drinking and partying than singing. ~ Rotten Tomatoes 5 Star Review
Derry Girls meets Trainspotting this raucous teen tale of 1990s Catholic schoolgirls seeking sex and shots in Edinburgh is a riotous laugh, but it conceals a darker edge. ~ The i 4 Star Review
This riotous Scottish film celebrates the wild abandon of youth. It is endearing in the way it frames youthful sexual discovery as an age-old tradition. ~ Independent 4 Star Review
It features five of the most compelling, neatly drawn and slightly terrifying female protagonists committed to film. ~ The Times 5 Star Review
 
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14) THE MANY SAINTS OF NEWARK  3.5 Star Review
 
It says a lot about The Sopranos that, 14 years on from the final episode, we’re still talking about it. It seems ridiculous to say, but the hottest show of 2021 debuted in the last century. Naturally, nothing sleeps with the fishes forever – and in this new prequel film Tony returns in a nostalgic treat filled with fresh menace. ~ NME 4 Star Review
Even as its storytelling chafes at the edges of its cinematic constraints, it proves The Sopranos' allure is still powerful. ~ Rotten Tomatoes 4 Star Review
A fierce and brilliant prequel, this is a film that both expands on and complicates the legacy of one of television’s greatest shows. ~ Independent 4 Star Review
Anyone who’s ever wondered who and what made Tony the way he was will be richly rewarded by Alan Taylor’s riveting trip back in time. ~ The Telegraph 4 Star Review
A gamble that pays off, the story of the young Tony and his Mafioso uncle Dickie expands the TV show’s universe in a way that will delight fans. ~ Financial Times 4 Star Review
Violent, gripping, darkly funny and deeply human… everything, in other words, you’d expect from a Sopranos story. ~ Total Film 4 Star Review
It is audacious, bloody and brilliant. ~ The Times 5 Star Review
A busier proposition than its HBO forefather, this sets up more than it can pay off. But it does manage to balance fan-service with plenty of rich, original, complex material. Bada? Bing. ~ Empire 4 Star Review
 
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15) THE NIGHT HOUSE  3.5 Star Review
 
After the likes of The Awakening and The Gift, Rebecca Hall continues to deliver shivers with this ghostly psychological horror from director David Bruckner (The Ritual). ~ Radio Times 4 Star Review
The British actor gives a brilliantly calibrated performance in this tense stylish US psychological thriller. ~ Observer 4 Star Review
The 39-year-old actor, producer and film-maker has delivered what is arguably the finest performance of her career (or at least her best since Vicky Cristina Barcelona in 2008). And she’s done it, counterintuitively, in a pulp horror flick. ~ The Times 4 Star Review
Led by her gripping central performance, it offers atmospheric horror that engages intellectually as well as emotionally. ~ Rotten Tomatoes 4.5 Star Review
A horror film for the middle aged, the actress’ virtuoso performance as a woman teetering on the brink embraces marital grief rather than sex. ~ The Sunday Times 4 Star Review
The always great Hall anchors the effective old-fashioned ghost story that reveals unimaginable truths after a shocking loss. ~ Roger Ebert 4 Star Review
It's a merciless horror story with a hair-raising performance from the actress, playing a teacher who discovers her dead husband had a terrible secret. ~ The Telegraph 4 Star Review
Whatever small contrivances or inconsistencies might dwell in this story of a husband’s secrets and the home they dwell within, they melt away as soon as the camera cuts to the face of its star who is no wilting horror widow. ~ Independent 4 Star Review
 
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16) BLACK WIDOW  4 Star Review
 
The latest Marvel offering is entertaining and full of action. It is also the least Avenger-like movie in the series. ~ BBC 4 Star Review
The first solo feature for Scarlett Johansson's superspy starts with a 1995 snapshot of idyllic family life. It's an attention-grabbing prelude to this exhilarating, globe-trotting adventure, which expands on the Widow's origins, the Red Room and that infamous Budapest mission mentioned in 2012's "Avengers Assemble". ~ Radio Times 4 Star Review
A Marvel movie without the Avengers is revealed to be a beautiful thing in this sublimely exhilarating spy romp set soon after "Captain America: Civil War" in 2016. ~ The Times 4 Star Review
Natasha Romanoff’s long overdue solo movie delivers action and emotion in a rousing addendum to Scar-Jo’s stellar MCU story. ~ Total Film 4 Star Review
It makes sense that a no-nonsense killing machine like Black Widow should have a no-nonsense installment, but it's nice to see it actually happened. ~ Roger Ebert 4 Star Review
It shouldn’t really have taken 11 years for the Widow to get her own standalone adventure. But thanks to some zesty new character dynamics and smart twists, Marvel have finally done her right. It takes a character without a future and gives her a past. ~ Empire 4 Star Review
Its deeper themes are drowned out in all the action, but it remains a solidly entertaining standalone adventure that's rounded out by a stellar supporting cast. ~ Rotten Tomatoes 4 Star Review
Blessed with a cast of comic book newbies – all of whom employ dodgy Russian accents – it serves as a palate cleanser ahead of Marvel’s imminent Phase Four. ~ NME 4 Star Review
Great fun is had in giving us the backstory to the assassin’s place in the Marvel Cinematic Universe; involving an origin-myth tale of family trauma, identity crisis and sibling rivalry with a pugnacious kid sister, entertainingly played by Florence Pugh. ~ The Guardian 4 Star Review
After waiting forever for Scarlett Johansson’s Avenger to get her own solo spin-off movie without Tony, Steve and co, along comes Florence Pugh to steal it out from under her. She nails it with the spark of someone who’s been kicking around the Marvelverse since day one. ~ Time Out 4 Star Review
She steals the show in Johansson’s mercifully fun Marvel swansong, which is a cut above. ~ The Irish Times 4 Star Review
 
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17) HERSELF 3.5 Star Review
 
A lot has been written about how Covid delays have affected the releases of hugely budgeted films featuring flying robots. Just as interesting is what a lengthy delay will do for perceptions of more intimate films addressing less fantastical socio-political concerns. This irresistible drama much concerned with the Irish housing crisis loses none of its relevance. ~ The Irish Times 4 Star Review
Clare Dunne stars in and writes this self-empowering story of a battered Dublin cleaner who builds her own house. It’s a really unexpected drama: unexpected for a heartwarmer, unexpected for a tough social-realist picture, these being the two genres in which it finds a Venn overlap. ~ The Guardian 4 Star Review
A casually commanding Irish social drama that's directed with assurance by Phyllida Lloyd. ~ Radio Times 4 Star Review
The Mamma Mia! director takes a welcome swerve into social realism for this visceral drama about a destitute single mother from Dublin who aims to escape an abusive husband by building a secret home. ~ The Times 4 Star Review
A rousing story that never shies away from the hard truths of abuse, Lloyd takes a stealth approach to building its poignancy, drawing her audience in with a gentle hand before swinging the lens back on them. ~ Independent 4 Star Review
Sensitively directed by Lloyd and brought to life by co-writer Dunne's starring performance, it charts one woman's journey with empathy and grace. ~ Rotten Tomatoes 4.5 Star Review
Devastating but never manipulative with its hard-hitting plot, it's a story about human kindness and cruelty, powered by Dunne’s script and captivating performance. ~ Little White Lies 4 Star Review
 
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CINEMAS IN MANCHESTER
 
Vue Manchester VUE MANCHESTER THE PRINTWORKS
23 screen 3D multiplex and IMAX cinema inside The Printworks in the city centre, showing all the latest blockbuster releases. Rebranded from Odeon in May 2017. With a total capacity of 4,407, screens range from 65 seats to 485.
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Address27 Withy Grove, Manchester M4 2BS map[map]
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Odeon Manchester ODEON MANCHESTER GREAT NORTHERN
16 screen 3D multiplex cinema inside The Great Northern Warehouse on Peter Street in the city centre, showing all the latest blockbuster releases. Rebranded from AMC in September 2017. With a total capacity of 3,257, screens range from 86 seats to 466.
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Address235 Deansgate, Manchester M3 4EN map[map]
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Home Manchester HOME CINEMA
Opened in 2015 when the Cornerhouse joined forces with the Library Theatre, Manchester's art house cinema is located in the city centre on First Street, just off Whitworth Street West between the Palace Theatre and Bridgewater Hall. With a total capacity of 504, there are five cinema screens, with the biggest seating 230 and the smallest just 33.
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Address2 Tony Wilson Place Manchester M15 4FN map[map]
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Vue Salford Quays VUE MANCHESTER THE LOWRY
9 screen 3D cinema inside The Lowry Outlet Mall at Salford Quays, showing all the latest blockbuster releases. Located 4 miles from the city centre, it's just 15 minutes on the Metrolink from Deansgate-Castlefield to MediaCityUK. With a total capacity of 2,080, screens range from 42 seats to 500.
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AddressThe Quays, Salford Quays,M50 3AH map[map]
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Showcase Manchester SHOWCASE MANCHESTER BELLE VUE
14 screen 3D multiplex cinema located 3 miles outside the city centre, next to Belle Vue train station (10 mins from Piccadilly). The largest screen has 390 seats
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AddressHyde Road, Belle Vue, M12 5AL map[map]
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Cineworld Didsbury CINEWORLD DIDSBURY
11 screen 3D cinema at the Parrs Wood Entertainment Centre, 6 miles from the city centre, next to East Didsbury train station (15 mins from Piccadilly). Showing all the latest blockbuster releases.
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Address Wilmslow Road, Manchester, M20 5PG map[map]
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The Savoy Cinema Heaton Moor SAVOY HEATON MOOR
Privately owned, 175 seat, single screen cinema in Heaton Moor which shows the latest releases. 6 miles from the city centre, or 15 mins walk from Heaton Chapel Station (8 mins from Piccadilly). Cash only.
Address 105 Heaton Moor Road, Heaton Moor, Stockport, SK4 4HY map[map]
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Odeon Trafford Centre ODEON TRAFFORD CENTRE
20 screen 3D and IMAX multiplex cinema inside The Trafford Centre, showing all the latest blockbuster releases, including 3D and Bollywood movies. With a total capacity of 3,940, screens range from 102 seats to 415.
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AddressThe Trafford Centre, Stretford, Manchester, M17 8DF map[map]
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